Seminar – Approaches to vocal performance in the operas of Jean-Philippe Rameau

Jacqueline de Pré Music Building St Hilda's College, Cowley Place,, Oxford, Oxon, United Kingdom

This seminar will explore ways of approaching the music of Jean-Philippe Rameau with a view to understanding better, and performing more stylistically, the vocal music in his operas. We will employ techniques of music analysis (the interpretation of metre, rhythmic notation, tonality and dissonance), study the musical sources, and examine eighteenth-century treatises. In a new approach, the seminar will also on draw the early modern literary expertise of Dr Jonathan Patterson (St Hilda's Career Fellow in French) to explore how…

In conversation with William Christie

What a great pleasure it has been to welcome William Christie to Oxford as the Humanitas Visiting Professor of Opera 2018-19, and to participate in the lively round-table discussion with him. And his conversation with Edward Higginbottom (in Prologue and 5 Acts format!) was both fascinating and entertaining… Thank you to Michael Burden for organising these memorable events and to the Weisenfeld-Hoffmann Trust for supporting them so generously.`

Round table discussion with William Christie

Jacqueline de Pré Music Building St Hilda's College, Cowley Place,, Oxford, Oxon, United Kingdom

Come along to hear William Christie, Rameau's greatest champion, and the new Humanitas Visiting Professor of Opera, as he talks about his long and distinguished career. At 2.30pm French Baroque specialist, James Halliday, will survey William Christie's life and work with him and, at 4pm, will be joined by Claire Holden, James Patterson and me to discuss all things Rameau together.

Performing Rameau lecture

St Anne's College Woodstock Road, Oxford, United Kingdom

I'm very excited indeed to be speaking at the Oxford International Conducting Institute Conference where I'll be sharing my experiences preparing Rameau's music for performance, and talking specifically about the performance practice issues involved when working with singers. Here's my abstract: Despite their popularity in France, the operas of Jean-Philippe Rameau (1683-1764) have elsewhere stood somewhat apart from the main canon. Conducting two Rameau fully-staged productions during 2017 – Les fêtes d’Hébé (with L’Académie de l’Opéra national de Paris) and…

Rameau at the Utrecht Early Music Festival

Rameau is taking centre stage in the celebration of Burgundian music taking place at the Utrecht Early Music Festival this summer. On 28 and 29 August I'll be joining fellow Ramistes from around the world at the STIMU-SYMPOSIUM entitled RAMEAU IN CONTEXT AND PERFORMANCE. My paper, 'Rameau’s operas: approaches to preparing the vocal music' will examine some of Rameau’s performing practices and how to share them with singers. It will draw on what can be learned through the analysis of…

Fauré and Finzi with the ECO

St Barnabas Church Pitshanger Lane, Ealing, United Kingdom

I am delighted that the world-renowned English Chamber Orchestra will joining the Ealing Choral Society for a concert at St Barnabas Church, Ealing, in a programme of music and poetry to commemorate and celebrate the 100-year anniversary of the end of WW1. Finzi Requiem da Camera Elgar Sospiri and Lux aeternum ('Nimrod') Parry I was glad Fauré Requiem Tickets are available here.

St John Passion at the Cadogan

Cadogan Hall 5 Sloane Terrace, Belgravia,, London , United Kingdom

Passion according to St John (1749 version) Evangelist -  Andrew Tortise Christus - Theodore Platt Soprano -  Emma Walshe Alto - Tim Morgan Bass - Philip Tebb With Ealing Choral Society and period-instrument ensemble Sinfonia Britannica

Dardanus @ Baroquestock

Hugely exciting news - We'll be giving a performance of Rameau's Dardanus at this year's Baroquestock on Friday 3 May... More news soon...!

POSTPONED – The UK premiere of Castor et Pollux (1737)

Sheldonian Theatre Broad Street, Oxford, Oxon, United Kingdom

      The UK premiere of Rameau's sublime masterpiece, Castor et Pollux, in Jonathan's new edition of the original 1737 version. UPDATE We are sorry to have to inform you that due to the uncertainties caused by the COVID pandemic we have regretfully decided to postpone this performance until May 2022. The new date will be confirmed here as soon as possible. CAST Castor (tenor): Rory Carver Pollux (baritone): Jack Lawrence-Jones Phébé (soprano): Galina Averina Télaïre(soprano): Anna Cavaliero Hébé/Spirit:…

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